【推薦】大學(xué)英語作文集錦七篇
在日常學(xué)習(xí)、工作或生活中，大家都有寫作文的經(jīng)歷，對作文很是熟悉吧，通過作文可以把我們那些零零散散的思想，聚集在一塊。如何寫一篇有思想、有文采的作文呢？以下是小編精心整理的大學(xué)英語作文7篇，供大家參考借鑒，希望可以幫助到有需要的朋友。
大學(xué)英語作文 篇1
People can’t imagine life without water. Without it, the earth we live on would be a dead one. There would be no trees, no crops, no animals and no people. So water is considered to be next to oxygen in importance.
Although nearly three quarters of the earth's surf-ace is covered with water, it is sea water and undrinkable. The demand for water is increasing, while water resources are scarce. Agricultural production needs enormous amounts of water, so does industry. Besides, the rapid growth of population makes it more and more difficult for people to survive because of the water shortage. So water shortage has become one of the most serious problems.
Fortunately, people have realized this pressing problem and are trying to find ways to salve it. First, people are urged to economize on water. Second, measures are taken to protect water resources. Third, circulating water is used for industrial purposes over and over in factories and treated sewage water is used for irrigation in farming land.
大學(xué)英語作文 篇2
Many factors may make a contribution toone’s success, such as diligence, honesty, patience, responsibility and so on.Besides, as far as I am concerned, self-confidence is also an important and indispensable factor to contribute to one’s success.
有很多因素可以促使一個成功，如勤奮，誠實，耐心，責(zé)任等。此外，在我看來，自信也是促成成功不可或缺的重要環(huán)節(jié)。
The following reasons can account for my above opinion. First,self-confidence is a kind of self-affirmation for our ability. A successful manis bound to believe in himself first so that he has courage and power to make some achievements. On the contrary, if he has great ability but does not believe himself enough, he will not be able to play his ability and power or at least can’t play fully. Second, self-confidence is a great motivation for us to keep trying and keep going. A self-confident man will try his best to achieveh is goal again and again rather than say “no” or give up when he is confronted with hardship. In addition, a self-confident but not arrogant man usually brings some positive influence to the whole situation in a team. People around the man will be affected by his confidence and become confident for their teamwork.
以下幾個理由可以解釋我的觀點(diǎn)。首先，自信是對自己能力的一種肯定。一個成功的人首先一定要相信自己，這樣他才有勇氣和力量去做出一些成績。相反，如果他有很有能力，卻不相信自己的話，他將無法發(fā)揮自己的能力和力量，至少不能充分發(fā)揮。第二，自信是我們不斷努力前進(jìn)的動機(jī)。一個自信的人會竭盡全力一次又一次的實現(xiàn)自己的目標(biāo)而不是在面臨困難的時候說“不”或放棄。此外，一個有自信而不傲慢的.人通常會給整個團(tuán)隊帶來積極的影響。周圍的人都會被他的信心影響，從而對他們的團(tuán)隊有信心。
In summary, self-confidence is a significant character and quality in one’s success. Therefore, we should try to develop our confidence but not arrogance to some extent so that we can succeed in our study or work.
總之，在人的成功道路中自信是很重要的因素。因此，我們要努力讓我們在某種程度上自信而不自大，這樣我們才可以在學(xué)習(xí)或工作上取得成功。
大學(xué)英語作文 篇3
From the various houses we can see candlelight but no electricity. There's a quiet that blankets the whole area, disturbed only by the almost whispered of the people as they stand around. CHARLIE stares across at GOODMAN's house.
Sally (a little timid): It doesn't seem right, though, keeping watch on them. Why, he was right when he said he was one of our neighbors. Why, I've known Ethel Goodman ever since they moved in. We've been good friends—
Charlie: That doesn't prove a thing. Any guy who'd spend his time looking up at the sky early in the morning—well, there's something wrong with that person. Maybe under normal circumstances we could let it go by, but these aren't normal circumstances.
(STEVE, from several yards away, walks down the steps of his porch, and down the street over to LES GOODMAN's house. He stops at the foot of the steps. GOODMAN stands there. MRS. GOODMAN stands behind him, very frightened.)
Goodman: Just stay right where you are, Steve. We don't want any trouble, but this time if anybody sets foot on my porch—that's what they're going to get—trouble!
Steve: Look, Les—
Goodman: I've already explained to you people. I don't sleep very well at night sometimes. I get up and I take a walk and I look up at the sky. I look at the stars! Mrs.
Goodman: That's exactly what he does. Why, this whole thing, it's... it's madness.
Steve (nods): That's exactly what it is—some kind of madness.
Charlie's voice (shrill, from across the street): You'd better watch who you're seen with, Steve! Until we get this all straightened out, you aren't exactly above suspicion yourself.
Steve (whirling around toward him): Or you, Charlie. Or any of us. From age eight and up!
Woman: What I'd like to know is—what are we going to do? Just stand around here all night?
Charlie: There's nothin' else we can do!
Steve (raising his voice): There's something you can do, Charlie. You could go
home and keep your mouth shut. You could quit walking around like a self-appointed hanging judge and just climb into bed and forget it.
Charlie: You sound real anxious to have that happen, Steve. I think we'd better keep our eye on you, too!
Don: I think everything might as well come out now. (He turns toward STEVE.)
Your wife's done plenty of talking, Steve, about how odd you are!
Charlie (picking this up, his eyes widening): Go ahead, tell us what she's said.
(STEVE walks toward them from across the street.)
Steve: Go ahead, what's my wife said? Let's get it all out. Let's pick out every unusual habit of every single man, woman, and child on the street. And then we might as well set up some kind of a kangaroo court. How about a firing squad at dawn, Charlie, so we can get rid of all the suspects?
Don: There's no need getting so upset, Steve. It's just that... well... Myra's talked about how there's been plenty of nights you spent hours down in your basement workin' on some kind of radio.
(By this time STEVE has reached the group. He stands there defiantly close to them.)
Charlie: Go ahead, Steve. What kind of "radio set" are you workin'on? Who do you talk to on the radio set? And who talks to you?
Steve: I'm surprised at you, Charlie. How come you're so dense all of a sudden? (a pause) Who do I talk to? I talk to monsters from outer space. I talk to three—headed green men who fly over here in what look like meteors.
(MRS. BRAND steps down from the porch, bites her lip, calls out.)
Mrs. Brand: Steve! Steve, please. (Then looking around frightened, she walks to ward the group.) It's just a ham radio set. A lot of people have them. I can show it to you. It's right down in the basement.
Steve (whirls around toward her): Show them nothing! If they want to look inside our house—let them get a search warrant.
Charlie: Look, man, you can't afford to—
Steve (interrupting): Don't start telling me who's dangerous and who isn't, and who's safe and who's a menace. (He turns to the group and shouts.) And you're with him, too—all of you! You're standing here all set to find a scapegoat—all desperate to point a finger at a neighbor! Well now, look, friends, the only thing that's going to happen is that we'll eat each other up alive—
(He stops abruptly as CHARLIE suddenly grabs his arm.)
Charlie (in a hushed voice): That's not the only thing that can happen to us. (A figure suddenly materializes in the darkness. In the silence we can hear the slow, measured footsteps on concrete as the figure walks slowly toward them. One of the women lets out a stifled cry.)
Tommy (shouting, frightened): It's the monster! It's the monster!
(The people fall back in a group, staring toward the darkness and the approaching figure. DON MARTIN joins them, carrying a shotgun. He holds it up.)
Don: We may need this.
Steve: A shotgun? (He pulls it out of DON 's hand.) Will you people wise up? What good would a shotgun do against—
(CHARLIE pulls the gun from STEVE's hand.)
Charlie: No more talk, Steve. You're going to talk us into a grave! You'd let whatever's out there walk right over us, wouldn't you? Well, some of us won't!
(He swings the gun around to point it toward the sidewalk. The dark figure continues to walk toward them. CHARLIE slowly raises the gun. As the figure gets closer, he pulls the trigger. The sound explodes in the stillness. The figure lets out a small cry, falls forward first onto his knees, and then on his face. DON, CHARLIE, and STEVE run over to him. STEVE is there first and turns the man over. The crowd gathers around them.)
Steve (slowly looks up): It's Pete Van Horn.
Don (in a hushed voice): Pete Van Horn! He was just going to go over to the next block to see if the power was on.
Woman: You killed him, Charlie. You shot him dead!
Charlie (looks around at the circle of faces, his eyes frightened): But. . . but I didn't know who he was. I certainly didn't know who he was. He comes walkin' out of the darkness—how am I supposed to know who he was? (He grabs STEVE.) Steve—you know why I shot! How was I supposed to know he wasn't a monster or something?
(He grabs DON.) We're all scared of the same thing. I was just tryin'to. . . tryin'to protect my home, that's all! (He looks down wildly at the body.) I didn't know it was somebody we knew! I didn't know...
(There 's a sudden hush in the group. Across the street all the lights go on in one of the houses.)
Woman (in a very hushed voice): Charlie... Charlie... the lights just went on in your house. Why did the lights go on?
Don: What about it, Charlie? How come you're the only one with lights now?
Goodman: That's what I'd like to know.
(There's a pause as they all stare toward CHARLIE.)
Goodman: You were so quick to kill, Charlie, and you were so quick to tell us who we had to be careful of. Well, maybe you had to kill. Maybe Pete there was trying to tell us something, to tell us who there was amongst us we should watch out for—
(CHARLIE backs away from the group, his eyes wide with fright.)
Charlie: No... no...it's nothing of the sort! I don't know why the lights are on. I swear I don't. Somebody's making a joke or something.
(He bumps against STEVE, who grabs him and furns him around.)
Steve: A joke? Charlie, there's a dead man on the sidewalk, and you killed him!
Does this thing look like a gag to you?
(CHARLIE breaks away and screams as he runs toward his house.)
(A man breaks away from the crowd to run after CHARLIE. The man tackles him and lands on top of him. The other people start to run toward them. CHARLIE gets up on his feet, breaks away from the other man's grasp and jumps up on his front porch. A rock thrown from the group smashes a window alongside of him. The broken glass flies past him. A couple of pieces cut him. He stands there, blood running down from a cut on his cheek. His wife breaks away from the group and throws herself into his arms. We can see the crowd moving in on the porch.)
First Voice: It must have been him.
Second Voice: He's the one.
Third Voice: We've got to get Charlie.
(Another rock lands on the porch. CHARLIE pushes his wife behind him and faces the group.)
Charlie: Look, look, I swear to you... it isn't me... but I do know who it is. I swear to you. I know who the monster is here.
Don: All right, Charlie, let's hear it!
Second Man (screaming): Go ahead, Charlie; tell us.
Charlie: It's...it's the kid. It's Tommy.
Sally: That's crazy. He's only a boy.
Woman: But he knew! He was the only one who knew! He told us all about it. Well, how could he have known?
(People in the crowd take this up and repeat the question aloud.)
First Voice: How could he know?
Second Voice: Who told him?
Third Voice: Make the kid answer.
(Sally grabs TOMMY and starts to run with him. The crowd starts to follow, at first walking fast, and then running after them. Suddenly CHARLIE's lights go off, and the lights in another house go on.)
Man (shouting): It isn't the kid...it's Bob Weaver's house.
Woman: No, it's Don Martin's place.
Charlie: I tell you it's the kid.
Don: It's Charlie. He's the one.
(Various people shout, accuse each other, scream. House lights go on and off.)
Scene Two
In a nearby field sits a space craft in darkness. An open door throws out a beam of light from the inside. Two figures appear.
First Figure: Understand the procedure now? Just stop a few of their machines and radios and telephones and lawn mowers... throw them into darkness for a few hours, and then just sit back and watch the effect.
Second Figure: And this effect is always the same?
First Figure: With little difference. They pick the most dangerous enemy they can find. . .and it's themselves.
Second Figure: Then I take it this place...this Maple Street...is not an exception.
First Figure: By no means. Their world is full of Maple Streets. And we 'll go from one to the other and let them destroy themselves. One to the other...one to the other...one to the other...
各家各戶都亮起了蠟燭，沒有電。寂靜籠罩了整個社區(qū)，只能聽到人們站在那里小聲說話的聲音。夏利的目光越過街道，盯著古德曼的房屋。
薩莉（有點(diǎn)兒害怕）：看起來不對勁兒，盯緊他們。為什么，他說他是我們的鄰居，這是對的？為什么，從他們搬來我就了解埃塞爾.古德曼的，我們一直是好朋友...
夏利：這說明不了什么。這個總是大清早盯著天空看的家伙...他有點(diǎn)兒問題�；蛟S一般情況下我們會忽略這一點(diǎn)，但是現(xiàn)在不正常。
�。ㄊ返俜驈膸状a之外走下門廊的臺階，沿街走到勒思.古德曼的房前，他在臺階前停下來。古德曼站在那里，古德曼夫人害怕地站在他身后。）
古德曼：就站在那里別動，史蒂夫。我們不想有什么麻煩，但是這次如果有人踏上我家門廊...他就會有麻煩的！
史蒂夫：聽著，勒思...
古德曼：我已經(jīng)跟你們解釋了，有時候晚上睡不好，我會起來散步，看看天空，我看的是星星！夫人。
史蒂夫（點(diǎn)頭）：確實是...有點(diǎn)瘋狂。
夏利的聲音（尖叫，從街對面?zhèn)鬟^來）：你最好清楚大家是怎么看待你的，史蒂夫！在所有的事情澄清之前，你根本不是無可懷疑的！
史蒂夫（轉(zhuǎn)向他）：或者是你，或者我們中的哪個，八歲以上的哪個人！
婦女：我想知道的是--我們在這里做什么？站一整夜嗎？
夏利：除此之外沒什么可做的！
史蒂夫（抬高嗓音）：你有事做的，夏利。你可以回家，閉上嘴。你可以像個自己做主判處絞刑的法官那樣爬到床上，忘掉這件事。
夏利：看來你真的希望這樣，史蒂夫。我想我們最好也盯住你！
頓：我希望最好現(xiàn)在就真相大白。（他轉(zhuǎn)向史蒂夫。）你妻子總說你如何的古怪！
夏利（聽到這里，他瞪大雙眼）：快說，她怎么說的！
�。ㄊ返俜驈慕謱γ孀呦蛉巳骸＃�
史蒂夫：說，我妻子怎么說的？一切都說清楚，讓我們找出街上每個男人、女人、孩子的不尋常的習(xí)慣。我們還可以設(shè)立個私設(shè)法庭之類的。天亮?xí)r成立個行刑隊怎么樣，夏利？這樣我們就可以免受懷疑?
頓：沒必要這么緊張，史蒂夫。只是...麥拉很多個晚上你總在地下室擺弄些無線電什么的。
�。ㄟ@時史蒂夫走到人群跟前，挑戰(zhàn)地站在他們面前。）
夏利：說吧，史蒂夫。你在擺弄哪種“無線電”呢？你在無線電里跟誰說話呢？誰在跟你說話呢？
史蒂夫：我對你感到吃驚，夏利。你怎么突然變得這么愚蠢呢？（頓了下）誰跟我說話？我在跟太空的怪物說話，我跟三個...飛來的綠色腦袋、流星一樣的人說話。
�。ú继m德夫人從門廊上走下，咬了下嘴唇，叫道。）
布蘭德夫人：史蒂夫，史蒂夫，請...（她害怕地看著四周，避開人群。）那只是個業(yè)務(wù)無線電，很多人都有的，我可以給你們看，就在地下室里。
史蒂夫（轉(zhuǎn)向妻子）：什么都不要給他們看！如果他們想看我們的房間...讓他們拿搜索證來。
夏利：看，家伙，你承擔(dān)不起...
史蒂夫（打斷他的話）：不要告訴我誰危險，誰不危險，誰是安全的，誰是威脅。（他轉(zhuǎn)向人群，叫道。）你們跟他一樣---所有的人都是！你們站在那里只是找一個替罪羊...拼命地在鄰居間找一個人出來！現(xiàn)在，看吧，朋友們，唯一要發(fā)生的事就是，我們要相互咬死對方...
�。ㄏ睦偷刈プ∷母觳�，史蒂夫突然停下來。）
夏利（低聲地）：這不是唯一要發(fā)生的事。（黑暗中突然出現(xiàn)一個人影，人影慢慢走進(jìn)時，寂靜中人們聽到水泥地上的緩慢、有規(guī)律的腳步聲，一個婦女發(fā)出一聲被抑制的叫聲。）
湯米（害怕地叫）：是怪物，怪物！
�。ㄈ巳和笸耍⒅诎抵凶邅淼娜擞�。頓.馬丁帶上一支，加入人群，他舉起槍。）
頓：我們可能需要這個。
史蒂夫：？（他把槍從頓手中奪過來。）你腦子昏了嗎？槍怎么能用來打...
（夏利從史蒂夫手中奪過槍。）
夏利：別說話，史蒂夫。你會把我們弄死的！你會讓任何不明的東西逼近我們嗎？我們有的人不會的`！
�。ㄋ麛[動槍，對準(zhǔn)人行道。黑色人影繼續(xù)走向人群。夏利慢慢舉起槍，人影走近時，他開動扳機(jī)。槍聲在寂靜中響起。人影發(fā)出輕微的呼叫，膝蓋首先著地，然后是臉。頓，夏利和史蒂夫跑上前。史蒂夫第一個把這個人翻過身，人群把他們圍起。）
史蒂夫（慢慢地看了看）：是皮特.范.合恩。
頓（小聲地說）：皮特.范.合恩！他只是去臨近街區(qū)看有沒有電。
婦女：你殺了他，夏利，你殺死了他！
夏利（看看四周的面孔，眼神中露出害怕的神情來）：但是...我不知道是誰。我當(dāng)然不知道他是誰。他從黑暗中走來...我怎么能知道他是誰呢？（他抓住史蒂夫。）史蒂夫--你知道我為什么開槍的！為什么我會認(rèn)為他不是怪獸什么的呢？
�。ㄋプ☆D。）我們都害怕同一樣?xùn)|西。我只是想試圖...試圖保護(hù)我的家，就是這樣！（他瘋狂地看著地下的尸體。）我不知道是我認(rèn)識的人！我不知道...
�。ㄈ巳和蝗话察o下來，街對面一家的每個燈都亮起來。）
婦女（低聲說）：夏利...夏利...你家的燈亮了。為什么會亮呢？
頓：怎么回事，夏利？為什么只有你家的燈亮了？
古德曼：我也想知道這個。
（頓時人們盯著夏利。）
古德曼：你下手這么快，夏利，你這么快就告訴我們應(yīng)該提防誰�；蛟S你不得不殺人，或許皮特想告訴我們什么，告訴我們應(yīng)該提防我們中的哪個人---
�。ㄏ睦笸藥撞�，眼睛睜大，滿是恐懼。）
夏利：不...不...根本沒這回事！我不知道燈為什么會亮？我發(fā)誓我不知道。有人在開玩笑什么的。
史蒂夫：玩笑？夏利，人行道上有人死人，使你殺的！你是在殺人滅口嗎？
�。ㄏ睦蝗粧昝撻_，尖叫著沖回家去。）
�。ㄒ粋�人從人群中跑開，追向夏利。他扭住夏利，把他推到在地。其他的人向他們跑過來，夏利從地上站起，掙脫另一個人，跳向他家前門廊。人群中扔出的石頭打碎了他
旁邊的窗子，碎裂的玻璃從他身旁飛過，幾個碎片劃傷了他。他站在那里，鮮血從臉上的傷口留下。他的妻子從人群中跑出來，撲向他的懷抱。人群向門廊走來。）
第一個聲音：肯定是他！
第二個聲音：就是他！
第三個聲音：我們抓住夏利了。
�。硪粔K石頭扔到門廊上，夏利把妻子拉到身后，自己面對著人群。）
夏利：聽著，聽著，我對你們發(fā)誓...不是我...但是我確實知道是誰。我對你們發(fā)誓。我知道這里誰是怪物。
頓：好的，夏利，說來聽聽！
第二個男人（尖叫）：說吧，夏利，告訴我們。
夏利：是...是這個孩子。湯米！
薩莉：你瘋了，他只是個孩子！
婦女：但是他知道！只有他知道！他告訴我們一切，他怎么知道的呢？
�。ㄈ藗兟牭竭@里，再一次大聲反復(fù)地問。）
第一個聲音：他怎么知道的？
第二個聲音：誰告訴他的？
第三個聲音：讓這小孩說話！
�。ㄋ_莉抓住湯米，開始跟他一起跑。人群開始追起來，起初跑得很快，后來就被甩在后面。突然夏利家的燈熄了，另一家的燈亮了。）
男人（大叫）：不是小孩家的...是鮑勃.韋弗家的。
婦女：不，是頓.馬丁家的。
夏利：我告訴你是這小孩家的。
頓：是夏利，就是他。
�。ê芏嗳舜蠼衅饋恚ハ嘀肛�(zé)著，尖叫著，房子里的燈亮了又熄了。）
場景二
附近黑暗中的田野里，是一艘宇宙飛船，一束光從一個打開的門中射出，兩個身影出現(xiàn)了。
第一個身影：現(xiàn)在知道程序了嗎？只要停掉他們的少數(shù)機(jī)器、收音機(jī)、電話和割草機(jī)...讓他們在黑暗中呆上幾個小時，然后坐在這里看結(jié)果吧。
第二個身影：結(jié)果總是一樣的嗎？
第一個身影：會有一點(diǎn)兒區(qū)別。他們找出能找到的最危險的敵人...就是他們自己。
第二個身影：那么我覺得這里...楓樹街...并不是個例外。
第一個身影：根本不是。這個世界到處都是楓樹街這樣的地方。我們將去一個又一個地方，讓他們自己毀掉自己。一個又一個...一個又一個...一個又一個...
1.frightened adj. 受驚的, 受恐嚇的
例句：
Frightened children were calling for their mothers.
受驚的孩子們呼喊著找媽媽。
2.self-appointed adj.自己作主的; 自行推薦[任命]的; 自封的
例句：
A leader is not self-appointed. His leadership has to be accepted and approved by the masses.
領(lǐng)導(dǎo)不是自封的，要看群眾承認(rèn)不承認(rèn)，批準(zhǔn)不批準(zhǔn)。
3.kangaroo court n.私設(shè)之法庭, 非法法庭
例句：
To the people who refused to go on strike, the most difficult part of their decision was the possibility that they would later be subject to the union's kangaroo court.
對于那些拒絕參加罷工的人來說，他們這一決定最麻煩的地方是，他們以后可能受到工會袋鼠法庭的審判。
4.firing squad n. 行刑隊，執(zhí)行死刑的射擊隊
例句：
The condemned man faced the firing squad with dignity;
那個被宣布有罪的人大義凜然的面對著行刑的隊伍；
5.meteor n. 流星,大氣現(xiàn)象,一夜成名的人
例句：
A meteor shot across the sky.
流星劃過天空.
6.materialize v. 賦與實質(zhì),使體現(xiàn),物質(zhì)化; 成有形,體現(xiàn),實現(xiàn)
例句：
A truck suddenly materialized out of the fog.
一輛卡車突然駛出煙霧。
7.measured adj. 量過的,慎重的,基于標(biāo)準(zhǔn)的
例句：
march in measured steps
用整齊的步伐行進(jìn)
8.stifle v. 使不能呼吸,窒息,抑制
例句：
Our ideas were stifled.
我們的意見被壓了下來。
9.tackle v. 處理,抓住
例句：
Some people tackle the difficult jobs first.
有的人愛先做難做的工作。
1.straighten out v.改正, 清理, 澄清
例句：
He got it all screwed up, it will take a week to straighten out the mess.
他把事情全搞壞了，要花一星期時間才能把這一團(tuán)糟的局面整理出頭緒來。
2.set foot on v.踏上
例句：
Nobody has ever set foot on that island.
沒有人曾經(jīng)登上過那個島嶼。
3.above suspicion adj. 無可懷疑(毫無可疑)
例句：
My conduct has always been above suspicion.
我的行為從來就是無可置疑的。
4.may as well 最好
例句：
Since it is raining hard, you may as well stay here as leave.
既然雨下得這么大，你與其離開倒不如待在這兒。
5.keep an eye on 留意,照看
例句：
Because we always keep an eye on the East European market.
因為我們總是注意著東歐的市場。
6.all of a sudden adv.突然
例句：
All of a sudden he stopped.
他突然停了下來。
7.can't afford to 負(fù)擔(dān)不起
例句：
Most people can't afford to go to the expensive entertainment places.
多數(shù)人不敢問津高檔娛樂場所。
8.wise up vt. 知道(意識到)
例句：
It's about time he wised up to the fact that people think his behaviour is ridiculous.
他早就該明白大家都認(rèn)為他很荒唐.
9.how come...? 怎么會...的?
例句：
How come are you late?
你為什么來晚了？
10.throw out v.伸出, 扔掉, 說出, 派出, 放出, 使出局, 使突出, 顯示
例句：
They were determined to throw out the reactionary government.
他們決心把反動政府趕下臺。
大學(xué)英語作文 篇4
Recently, I heard that one of my friends wanted to change his major after one-year learning because he found that he had no interest and motivation in learning this major. From my point of view, it is not wise to change major halfway.
最近，我聽說我一個朋友說經(jīng)過一年的學(xué)習(xí)后他想換專業(yè)，因為他發(fā)現(xiàn)他對現(xiàn)在這個專業(yè)沒有任何的興趣和動力。從我的`角度來看，中途換專業(yè)是不明智的。
There are several disadvantages of changing major halfway. In the first place, changing major halfway means that we spend much time, energy and money in the last major but do not mastered the whole knowledge of that major yet. Second, changing major halfway needs a great resolution and we will face much pressure from others. Finally, changing major halfway may increase the burden of our family finance in that we need to spend another amount of money on another major. In addition, if we change our major halfway, we will lose a chance to find out our potential. Lack of persistence and willpower, we are difficult to be successful.
中途換專業(yè)有幾點(diǎn)弊端。首先，中途換專業(yè)意味著我們要花更多的時間，精力和金錢在后面的專業(yè)上，卻還不能全面的掌握該專業(yè)的知識。第二，中途換專業(yè)需要很大的決心而且我們要面臨來自其他人的壓力。最后，中途換專業(yè)可能會增加我們的家庭經(jīng)濟(jì)負(fù)擔(dān)，因為我們需要花另外一大筆錢在另一個專業(yè)上。此外，如果我們中途換了專業(yè)，我們就會失去一個發(fā)現(xiàn)我們潛能的機(jī)會。缺乏毅力和意志力是很難成功的。
In short, it is not advocated that we change major halfway. Therefore, we had better take all aspects into consideration when we are choosing major so that we can avoid change major halfway. Once we choose a major, we should try our best to learn it better.
總之，不主張中途換專業(yè)。因此，在選擇專業(yè)的時候我們最好全面考慮清楚，這樣我們就可以避免中途換專業(yè)。一旦我們選擇了一個專業(yè)，我們就應(yīng)該盡最大努力把它學(xué)好。
大學(xué)英語作文 篇5
Nowadays, TV PK Shows (or we can call it Talent Shows) are great hit in China and have attracted many young people. As for me, TV PK Shows, as all other things, have both positive and negative effects. Therefore, the most crucial thing is how we see them.
Some people think Talent Shows provide grass-root people with a stage to display their talents, so they should seize every opportunity to show off their talents. Some College students even give up their studies to attend these TV PK Shows in the hope of becoming famous overnight. They even regard TV PK shows as a shortcut to the success. While other people reckon that TV PK Shows will develop the undergraduates’ attitude of anxious of achieving quick success. And once they were failed in these shows, they would suffer a great psychological unbalance. This is really bad to their physical and psychological health.
To sum up, everything has its limit. As long as the right attitude is employed, then it is OK.
大學(xué)英語作文 篇6
What cause the probem of teenagers smoking
Just as what has happened to anything in the world, many factors lead to teenagers smoking .
In the first , curiosity can usually contribute to teenager smoking .The youth passing into adolescence always think of themselves as adults ,no more children .Burning with curiosity ,they want to try every new thing .When seeing their parents or playmates taking cigarette, they will try to imitate for considering it as a sign of being maturity.
In the second, vanity is mainly another reason. By some teleplays and movies, teenagers sees superstars whom they worship smoke, so they think it a modern, handsome ,and attractive behavior.
And above all, misunderstanding the harmfulness of smoking always could explain .Many youths figure that smoking can take off tiredness, refresh themselves and relieve mental labor. Therefore, they want to reduce the study stress by smoking.
To sum up, the couses mentioned about must call for more of our
concern, and effective measures should be taken to cheek the trend.
大學(xué)英語作文 篇7
part 1
A Major Advantage/Disadvantage of the Information Age
As everyone knows, the information age has brought us countless benefits, but when it comes to its major advantage, people may hold different views. As for me, the major advantage of the Information Age is that it makes it easy for individuals to have instant access to all kinds of information. In the past, for instance, if a student was meant to compose a thesis, he was supposed to bury himself in piles of books in the library, and probably after several days’ or even several months’ searching, he still could not find the materials he wanted. But now it is a totally different story. The advanced techniques of the information age have spared us all those troubles. What we need to do is just sit in front of the computer and search for our target information on the Internet rather than struggle painfully in numerous books. More excitingly, we don’t have to waste several days or even months waiting. Usually the information we need will be transferred to us in seconds. The information age can not only bring convenience to students in searching of materials, but also help people in all walks of life, save their energy and enhance their efficiency. Now since we’re in an economy based around the manipulation of information, I have every reason to believe that this advantage of the information age will play an even greater role in the future.
part 2
It used to be that people who played sports were gentlemen but today we find that sportsmanship is becoming rarer. Some players cheat, take drugs, win at all costs and in football professional fouls are increasing. Write about the importance of sportsmanship.
專四范文：
Good Sportsmanship Is of Vital Importance
Sportsmanship is a great tradition in sports and competitions that means playing clean and handling both victory and defeat with grace, style, and dignity. Today, quite a few athletes lack sportsmanship. I personally hold that good sportsmanship is of vital importance for both the athletes themselves and their offspring.
Firstly, practicing good sportsmanship wins respect. When you win, the trick is to be a gracious and generous winner. Good sportsmanship means acknowledging victories without humiliating opponents, being quietly proud of success, and letting victories speak for themselves. Even if you win by a landslide, good sportsmanship means still finding ways to compliment your opponents. By demonstrating your respect to your opponents, you win respect from them too. Secondly, good sportsmanship teaches children how they should behave. Kids learn the basics of sportsmanship from the adults in their lives, especially their parents and their coaches. Kids who see adults behavin in a sportsmanlike way gradually come to understand that the real winners in sports are those who know how to persevere and to behave with dignity-whether they win or lose a game. A child who practices good sportsmanship is likely to carry the respect and appreciation of other people into every other aspect of life.
In conclusion, sportsmanship is a manifestation of our own ethics in real life. For the sake of sportsmen themselves and the generation to come, good sportsmanship should be highly advocated. (235 words)
專四作文精彩句子：
1.Good sportsmanship is when teammates,opponents,coaches,and officials treat each other with respect.
良好的體育精神是隊友、對手、教練和官員之間互相尊重。
2.Displaying good sportsmanship isn't always easy: It can be tough to congratulate the opposing team after losing a close or important game. But the kids who learn how to do it will benefit in many ways.
展示良好的.體育精神并不容易：當(dāng)我們輸?shù)粢粓鰟菥车谋荣惢蛘吆苤匾谋荣悤r，祝賀我們的對手勝利是很困難的。但是學(xué)著這樣做的小孩會在很多方面受益。
3.Sportsmanship,like ethics,reflects both the character and the actions of a coach.The image a coach projects on the field is usually a product of his or her character.
體育精神就像道德規(guī)范一樣，反映教練的性格和行為。教練在賽場上呈現(xiàn)出來的形象通常反映他的性格。
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